The Way of Least Resistance

Bob demonstrates the applications shown in my video. A few years ago my friend Jim asked the following question on the Traditional Fighting Arts Forums: "I think I'm right in saying there is not 1 authentic, traditional Okinawan 'form' that has a complete 2 man Bunkai in existence?"  Jesse Enkamp  replied with this answer : "One word: Seipai!"   I think Jesse-san was right in this (and also about the fact that, as he said, it wasn't the only one!). That said, I also think it is quite rare for Okinawan and Chinese kata to envisage or even permit a literal 2 person application; to my mind most forms were created entirely for single person performance - bearing in mind that such things as embusen  (floor pattern), repetition of certain sequences, etc. make a literal 2 person application unlikely. You can't see the detail, but my right arm is trapped. However occasionally, just occasionally, you get a significant portion of a kata ...

Embusen: a kata's movement "floorplan" “Embusen” is a Japanese term that literally means “demonstration line(s)”. It is commonly used to describe the pattern of lines along which a kata is performed. So, for example, the kata pinan nidan / heian shodan has a sideways “H” embusen (meaning that when performed, the kata will, broadly speaking, trace an “H” - or if you prefer, a capital I with serifs - on the ground). The kata shisochin has both an “x” and a “+” embusen (ie. it moves in 4 directions from the centre - which fits well with its name, meaning “4 direction battle”). The variations on embusen are almost endless - particularly when one looks at other arts. The “embusen” of the internal art of xingyiquan is essentially a straight line forward and a straight line back. Baguazhang’s “embusen” comprises endless circles, like eddies in a pond or stream. I even know of one bak mei (white eyebrow) form where the “embusen” traces the Chinese character that is the name ...