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Showing posts with the label kime

Stopping techniques at a pre-determined point

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I have previously discussed how traditional strikes are stopped by the practitioner at a pre-determined point; they do not rely on the target to stop the strike. [For the purposes of this article I shall simply refer to “strike”, but you can take this to refer to any kind of strike, punch or kick.] I have discussed how this needn’t mean that the traditional strike is “weak” – it may not carry as much force as a “follow through” but it makes up for this at least in part through concepts like “ kime ” (focus) and hydrostatic shock . But what is the imperative that causes virtually every traditional Far Eastern traditional martial art to stop strikes at a pre-determined point? Why not simply follow through with each technique until it is stopped by the target? The answer lies in priority. Unlike, say, combat sports or military disciplines, civilian defence does not prioritize hitting. It prioritizes not being hit. Accordingly, civilian defence strikes are inherently conservative ...

Shaking, extraneous movement and inefficient technique

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Introduction I was going to call to call this article “For goodness sake, don’t do the hippy hippy shake”. But then I realised that this would prompt readers to think that I was referring to my old pet peeve, pre-loading the hip (or the “ double hip ”). 1 This article is not about that subject (which is only obliquely relevant). Instead, this article is about the kind of shaking that results from extraneous and uncontrolled movement (rather than deliberate, if contextually inappropriate, hip loading). Punching with “hara” It was in 1988 that I first trained with Graham Ravey, founder of the TOGKA and former deshi of Higaonna Morio. At that training a certain local goju kai teacher (who shall go nameless, but who introduced himself as “Shihan […]”) pulled me aside and said: “You have good technique – but you have no ‘hara’. “Hara,” he told me, “means ‘heart’. Your techniques have no heart.” Of course, “hara” is a Japanese term that is used in the martial arts to refer to the d...

"Bullshit martial arts": it's time to come out of my corner

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In my previous post I referred to an episode of Penn's and Teller's television show in which they concluded that "martial arts are bullshit". In that post I mention the comments of Marc MacYoung to the effect that we martial artists should not "wilfully ignore" that which is flagrant nonsense but which passes (in some quarters anyway) for effective martial arts. I normally don't do this kind of thing, but I though I'd highlight some examples of such nonsense - partly to deflect any suggestion that I am "wilfully ignoring" bad martial arts, but principally to distinguish martial arts that are not imbued with such nonsense. Consider the video below (click on the picture to view). George Dillman stops a kick using a kiai or "spirited shout" It is my view that this sort of parlour trick is precisely the sort of thing that gives martial arts a bad name. Dillman uses a highly compliant student (who is completely out of range anyway) ...

π, Lyoto Machida and other "irrational" things

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π is of course the ratio of a circle’s circumference to its diameter. It is an irrational number – which is to say it cannot be expressed as a ratio of 2 integers. Yes, we commonly see it rendered as the fraction 22/7. But that is an approximation only. π is a number that has unlimited decimal places; its decimal expansion never ends or repeats. I always found the term “irrational” to be wholly fitting. Here is a universal constant that we cannot even express as a fraction. It defies our everyday “logic”. Yet its existence is a matter of fact. So how was π discovered? How does one stumble across a constant that is “irrational” in this way? The answer is, through experience ; you take a circle, measure the circumference and its diameter and go from there. If you do it accurately enough, you will always have the same result: π – a constant that defies our everyday “rationality”; one that is derived experientially. This got me thinking about the brouhaha surrounding Lyoto M...

Control vs. "missing"

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A few months ago I read a post on a forum stressing the importance of not “missing” or “pulling” your blows in training. 1 The gist of the gentleman’s post is that one should not train to “miss”. Instead one should train to contact, both to groove the correct approach to striking and also to become accustomed to taking blows. I agree wholeheartedly with this as a general statement in as much as it pertains to those who are training to apply their techniques, be it in civilian defence , the sporting arena or a military conflict. But how can one make contact in training safe? Being from a boxing background the poster notes that the punches should be “heavy, but not hard... you're driving through to your target but only with weight and not power”. What does he mean by this? It is my view that the poster’s description of “heavy, but not hard” is entirely accurate from a physics perspective. In my article “Hitting harder: physics made easy” I discuss how in order to transfer mome...

Karate punches vs. boxing punches

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Introduction In my article “ Kime: the soul of the karate punch ” I described the essential feature of the karate punch as being “focus” – ie. a combination of minimal deceleration before impact and optimum distancing – usually performed in karate with a straight thrust . Many have, and will continue to, argue that this straight thrust is less powerful than a boxer’s follow-through punches. This is true. But to understand why this does not necessarily mean that the former is less effective we’ll have to examine punching methods – what someone I know calls “delivery systems” – in greater detail. To the extent that karate punching is “less powerful”, I will then go on to examine why this is a tactical choice rather than a necessary failing. Categorising punches In a very general sense karate punches can be divided into 2 kinds: straight line and curved. In boxing, punches can be divided into 2 different categories that overlap with the karate ones, namely: 1. jabs (ie. punches which...