Rhythm and its importance in developing situational reflex
Introduction In my previous article “ Situational reflex: the key to martial effectiveness ” I discussed the need for martial artists to develop “situational reflexes” – ie. appropriate reflexive reactions for the potential situations we might face. To do this, I think the first (and most pressing) issue is to identify the situations that we are likely to encounter . These include what Patrick McCarthy has described as “Habitual Acts of Physical Violence”. However a martial artist might also want to include other, less common, situations – whether for civilian defence , for use in the ring or on a mat, or simply in dojo sparring. Once we have isolated the relevant situations, the next step is to identify any “ situational reflex blind spots ”, other deficiencies that we wish to rectify or tactics upon which we want to improve. For example, in my article “ Dealing with circular attacks ” I recounted how a Traditional Fighting Arts Forum member, Emero , was seeking to find a way to de...