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Showing posts with the label bagua

Cross-stepping: power and pitfall

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Introduction Like any transition in martial arts, the cross step ("kosa dachi" in Japanese) has its uses - sometimes very powerful ones. It also comes with significant, inherent weaknesses. On the latter subject, let me quote from the fantastic MMA writer Jack Slack in his recent article concerning Machida's " triangle kick " knockout of CB Dollaway: 
In karate there is the idea of  kyo , something I was writing about at length this week, but actually abandoned in order to publish my  Karate's Holy Trinity .  Kyo  is a moment of weakness in an opponent. When he is recovering from an attack, when he hesitates between techniques or mid combination, when he is breathing in or recovering his guard.  A cross step (kosa dachi) is such a kyo .  Let me explain why. Weakness #1: extra time and telegraphing First, it is important to understand that the cross step is really a species of "tsugi ashi" - where one leg skips up to the other (or cro...

How the internal arts work: Part 1

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Introduction: demystifying the internal arts I was prompted to write this (long overdue) article because I’m aware of the scarcity (if not almost complete absence) of decent material analysing the internal arts of China, namely ie. taijiquan (t’ai chi ch’uan), baguazhang (pa kua chang) and xingyiquan (hsing i quan). What analysis exists is invariably couched in esoteric language (qi/chi, jins, meridians, etc.) that is at once inaccessible and unhelpful (except, perhaps, to those knowledgeable in traditional Chinese medicine theory, for whom it might have some contextual significance). Such accounts avoid almost entirely any Western scientific deconstruction of the mechanics of these arts. It’s not small wonder then that the internal arts are virtually ignored by so many pragmatic martial artists today. Such analysis can only serve to feed misimpressions of the internal arts as either delusional or “old people’s dancing”. Yet my own experience in the internal arts over the la...

The internal arts and Daoism

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I came to the internal arts through both the study of physical martial arts training and philosophical reading. It was in the mid-80s while watching the BBC television series “The Way of the Warrior” (in particular the episode on Hong Yi Xiang and the internal arts - see the full episode embedded below) that I first learned that the earliest of the internal arts – xingyiquan – is said to be a physical manifestation of the the Chinese classic known as the Dao De Jing ( Tao Te Ching ) – “The Way and its Virtue/Power”. I was familiar with this and other Daoist texts and commentaries from the many hours I spent poring over them in the university library (while was meant to be studying other things!). Coincidentally, my teacher Bob Davies was studying xingyiquan with Hong Yi Xiang at around that time. Internal arts such as xingyiquan are a physical embodiment of Daoist principles such as " wu-wei " - the way of least resistance (hence the title of this blog). They use use ...

Memories of Taiwan: Third eye blind

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The sun has set behind the Kaohsiung skyline as our bus rattles along in the congested rush-hour traffic. I lie back against the head-rest, feeling the vibration on my scalp through the velour, and try to doze. Every now and again a jolt throws me back into the real world and I see flashes: flashes of the faux wood-panelled interior of our vehicle, the slumped, silent silhouettes of my fellow Chen Pan Ling practitioners, chaos passing in every direction, the smoky-red stain on the horizon and the neon glow of the pea-soup sky. We’re travelling from the Fo Guang Shan monastery into the city centre for our respective appointments with blind masseurs/masseuses. “Go on!” James had said to me in 2009. “Do it. You’ll feel like a new man.” But for whatever reason I declined – a decision I’d come to regret deeply. In fact, the moment I saw them arriving at the Kingship Hotel (each on the back of a scooter) and being escorted in through the foyer to the elevator (aided by the directions ...

Memories of Taiwan: Synchronicity

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It’s almost midnight and I’m limping in the blue shadows of the monastery grounds finally deserted by the maelstrom of day-time activity. I'm limping because I’m alone and no longer inclined to hide the pain in my lower back – pain that stabs like a thick syringe-needle with every step and the slightest knee lift. It is an injury I sustained in my very first training, and which scans will later reveal to be a prolapsed disc in the lumbar spine. Here’s a tip: don’t travel for almost 36 hours, then attempt long xing (dragon form of xingyi) without a sufficient warm-up. What am I doing? Oddly enough, I am searching. I’ve arranged with my photographer friend Lucia to take photos at the following dawn for the cover of my book “ Essential Jo ”. I’ve carted my gi and hakama all the way from Australia for just this purpose. I have come completely prepared – except that I have no jo (4 foot staff). You’d think that a Buddhist monastery built on a bamboo-forested mountain would have...