Back in about 2009 I was talking to a friend of mine who does krav maga, telling him I was off to Taiwan to train in combat taijiquan (tai chi). He laughed. "Combat tai chi? Isn't that an oxymoron?" I can see why he thought that. Because when you look at the soft, slow art of taijiquan, adding the descriptor "combat" does seem to be a contradiction in terms. In fact, the idea of it being used for fighting can appear ludicrously funny . And to be frank, in the case of most taiji practitioners - including many who profess "fighting skill" on the interwebs - it almost certainly is. [In the case of the preceding link, note the string attacks against zombie opponents - more on that later!] By now, I doubt there is anyone in the martial arts who hasn't heard of the debacle that constituted the recent fight between MMA fighter Xu Xiadong and self-described Yang style taijiquan "master" Wei Lei. Xu beat Wei senseless in under 10 ...
The double punch of naihanchi by Choki Motobu In traditional forms-based martial arts, whether they be Okinawan, Japanese, Chinese, Korean, Indonesian etc., there is an unspoken rule - a cardinal assumption - that your head should face your "imaginary opponent" at all times. And when you think about it, this seems to make sense. Almost every analysis (in karate called "bunkai") of traditional forms takes this into consideration. So, for example, the sideways punches of the karate kata naihanchi/naifunchin are interpreted in a variety of ways - but all of them are consistent with your opponent being generally to your side. Then along comes the odd form/kata where that rule is broken - for no immediately apparent purpose. The most obvious case I can think of in karate is in the goju ryu kata saifa (see the technique below). Higaonna sensei performing saifa kata This technique is commonly interpreted in a way that largely, if not completely, ignores th...
Over the years, I have often written about basics but I don't think I've ever talked about them more broadly - in particular about their importance. Recently I have been watching excerpts of David Carradine in the television series "Kung Fu" (my YouTube feed has assumed I'm a huge fan and this is inevitably reinforced every time I watch another video). One thing I notice is just how bad Carradine's technique is. It's downright awful. In a way, it reminds me of young Ralph Macchio in The Karate Kid: as the movie series progressed I kept expecting him to get better. I thought: "Surely he's been training in the meantime?" Only he didn't get better. Ditto Carradine. With the latter in mind, rather than show you a bit of the series, I thought it would be more illustrative to show you David Carradine demonstrating martial arts after he finished the series and had (apparently) undergone much, much more training. It's hard to explain exact...
Comments
Post a Comment